Nilson Matta - Brazilian Voyage

at Joe’s Pub - New York City - Klaus Mueller (piano) Nilson Matta (bass) Mauricio Zottarelli (drums)























Nilson Matta’s Brazilian Voyage – The Beauty of Brazil


Featuring Harry Allen (tenor sax), Anne Drummond (flute), Klaus Mueller (piano), Zé Mauricio (percussion), Mauricio Zotterelli (drummer)



In the winter of 2010, Nilson Matta will release an album with his newest project – The Brazilian Voyage.  The album features an exciting mix of Matta’s original songs and new takes on some Brazilian standards.  On this album, Nilson called on some old friends to realize his concept.  The great tenor saxophonist Harry Allen and amazing flutist Anne Drummond make up the reed section flowing easily from one style to another throughout the album.  Klaus Mueller on piano and Brazilians Mauricio Zottarelli and Zé Mauricio round out the rhythm section.  “Having two other Brazilians in the rhythm section was essential to give the album the right feel – we melded together beautifully”. 


Nilson’s concept while producing the album was to literally take the listener on a “Brazilian Voyage” through the many regions of his home country.  In fact, the album is dedicated to Brazil.  Each song has its roots in a different aspect of Brazil – distinct regions, cultural icons, and natural wonders are all fodder for Matta.  The song Águas Brasileiras was written by Nilson in honor of all the lakes, rivers, beached and amazing waterfalls found throughout Brazil.  The listener will also been taken to the region known as Pantanal – one of the world’s more amazing and diverse habitats.  In Nilson’s track  Pantanal the feeling of that region is literally brought to life through the music.  This album is not only a tour of the country, but a lesson in Brazilian culture too.  In Matta’s song Saci Pererê, you will become familiar with the most popular character in Brazilian folklore.  This little prankster was the inspiration for this fun and lighthearted song.  This is just a sampling of the nine songs on this amazing journey!


The genesis of this band comes from a single event.  Matta was asked to put together a band for an important convention about Brazilian culture at The Cooper Hewitt Museum in New York City.  The concert saw Nilson and his band playing a repertoire that included music from different regions of Brazil.  Each region has its own style of music and a unique rhythmic pattern.  Nilson enjoyed playing this varied set so much that he decided keep the band and maintain the name – Nilson Matta’s Brazilian Voyage was born!


Since that time, promoters have been clamoring to book this band and each time one calls, Nilson puts together an “all-star team” of musicians to play Matta’s originals and select songs from the Brazilian songbook.  The band has performed at numerous music festivals, jazz clubs and private events.  The common question for Nilson after each gig with this band is always “where can I get the CD?” or “when are you recording with this group”.  So finally, after several years of playing together, Nilson took his project into the studio.  The recording process came easily since the players had so much experience with the songs. 


Look for this new and exciting album from Nilson Matta’s Brazilian Voyage in the winter 2010!


__________________________________





What the members of the band says about Nilson:


"Nilson is one of my favorite musicians! Working with him is an immense pleasure to me, and always a great learning experience. Nilson has an amazing feel, sound, and groove. And he is a great composer too! I love playing with him."

Mauricio Zottarelli (Drummer)



"Nilson Matta swings like no one else and it's impossible not to become a little more joyful.   His deep rich timbre on his bass make's him a pleasure to record."

Michael Brorby  (Sound Engineer)


“Nilson Matta possesses  that rare combination of virtuosic technique and the ability to groove you into good health”

Harry Allen (sax)



“It is always a pleasure to work with Nilson, apart from being one of  the greatest bass players from Brazil, he excels at leading an ensemble. It is great to come to the studio with this sense of freedom, being able to explore and take the music to different places. I think this is what Nilson had in mind with this recording and I’m happy to be part of it.”

Klaus Mueller (piano)


“He’s one of favorite writers - not to mention unbelievable fun to work with.

Anne Drummond (flute)


“Not only a great musician, a friend... Not only a friend, a great musician... this summarizes how great is to work with Nilsão... so easy and productive, full of great ideas and open inputs... always YES to his calls.”

Zé Mauricio (percussion)






Reviews:




OSPAC Jazz Festival

Monday September 08, 2008


“Bassist Nilson Matta's Brazilian Voyage delved luxuriantly into sounds of Brazil, and other climes, with verve and spirit. The leader and his partners -- pianist Klaus Mueller and drummer Mauricio Zottarelli -- were exemplary, as was guest tenor saxophonist Harry Allen.

Jobim's "A Felicidade" demonstrated the rhythm section's zesty, buoyant feel, Allen's gift for melodic nuggets, and the leader's ability to tell an alluring musical story with song-like phrases, and fat-to-shimmering notes. Matta's "Paraty" was another hearty offering.”

by Zan Stewart/The Star-Ledger





December 6th 2007


Matta's trio with brio likes songs about Rio

by Zan Stewart, Star-Ledger Staff

STAR-LEDGER

http://www.nj.com/entertainment/music/index.ssf/2007/12/mattas_trio_with_brio_likes_so.html


Matta is a native of Sao Paulo, Brazil, who has lived in the United States since 1985 and now resides in Cresskill, Bergen County. He has recorded and toured with each of those greats, save Jobim -- the famed Brazilian songwriter of such classics as "The Girl from Ipanema."


"I was working at the Club 21 in Rio de Janeiro in 1970, and he came and sat in," recalls Matta, who prefers not to state his age. "So I say I worked with Jobim that night and that I am still working with him, since I play his music on every gig. You

can't avoid him."


Matta leads his Brazilian Voyage Trio Friday and Saturday at Shanghai Jazz in Madison. Among the Jobim numbers on tap will be "Ipanema" and "Corcovado."


"Not only is the melody of 'Corcovado' beautiful, but the harmonic structure is so rich," says Matta, whose Web site is www.nilsonmatta.com and whose latest CD is "Walking with My Bass" (Blue Toucan). "The song always provokes us to develop new phrases and ideas."


Matta's trio, which includes pianist Klaus Mueller and drummer Marcello Pellitteri, will also play evergreen standards such as "But Beautiful" with a Brazilian rhythm, and originals like "Bossa for Copacabana," dedicated to Rio's famed beach.


"When I moved to Rio, I lived near Copacabana," says Matta. "It's an incredible, beautiful beach, very romantic. I met a lot of people on that beach, including my wife, Luisa."


Matta, from a musical family, began to play bass at age 10, picking out a ¾-size instrument when he went with his mother to a Sao Paulo music store. "I saw the bass, then touched the strings, and heard that sound, so fat and beautiful," he recalls. "I fell in love."


At 14, Matta started playing in Sao Paulo clubs with people like the famed composer and instrumentalist Hermeto Pascoal, with whom he later played in a quartet with equally noted drummer Airto Moreira.


The mostly self-taught Matta caught the height of the bossa nova craze in the early to mid-1960s, working through the mid-1980s with stars such as João Gilberto, Chico Buarque and João Bosco.


Matta traveled to the United States with his longtime friend, guitarist Romero Lubambo, and connected with another Brazilian colleague, drummer Duduka Da Fonseca. They began to work and decided to form a band, for which Matta came up with the name Trio Da Paz (Trio of Peace), "because we live in peace, and all the time having fun," he says.


The band now has five CDs, and backed Barron on his "Canta Brasil" Sunnyside CD. The pianist will join Trio Da Paz for part of its Dec. 27-31 engagement at the Jazz Standard in New York.


Of his life in music, Matta says, "I'm blessed, having been surrounded by so many great musicians."





NILSON MATTA & FRIENDS Walking With My Bass (Blue Toucan)

Latin Beat Magazine - 2006

Al igual que la más reciente grabación de Tania Maria (Intimidade, Blue Note), el CD Walking With My Bass del insigne bajista/guitarrista/compositor/arreglista Nilson Matta (nativo de São Paulo y radicado actualmente en la Gran Manzana) constituye una muestra fehaciente del renacimiento reciente del jazz brasileño. Renombrado por sus colaboraciones con el Trio da Paz y considerado como el bajista brasileño mas prominente al norte de Rio de Janeiro, Matta expone un sentido palpable de júbilo debutante en esta proeza estelar, la cual contiene mas sorpresas que la mitológica Caja de Pandora, incluyendo las maravillosas aportaciones vocales y/o instrumentales de múltiples baluartes de nacionalidad brasileña (Rosa Passos, Ivan Lins, João Bosco, Joyce, Filo Machado, Helio Alves, Claudio Roditi, Robertinho Silva, Mauricio Einhorn, etc.), en complicidad con Kenny Barron, Jeff Tain Watts y otros distinguidos jazzistas estadounidenses. (LT)

By Luis Tamargo

http://findarticles.com/p/articles/mi_m0FXV/is_7_16/ai_n16788743







Nilson Matta - Brazilian Voyage


Jazz Review - By Don Heckman - Special to The Los Angeles Times

February, 28, 2006


Quote:


“Most fascinating, however, was the clear sense of this unique Brazilian take on jazz. Only loosely connected with the blues roots so important to American Jazz, it is more indebted to the fast-paced, virtuosic techniques of choro, the early (and still very much alive) Brazilian music roughly parallel to New Orleans jazz. Swinging in their own fashion, generating quick-paced melodies and sudden rhythmic accents the Brazilian Voyage player affirmed the capacity of jazz to become a global  form of musical expression.” 






 
 
 
January 28, 2010    

“The album is an outstanding collection of nine tracks, three featuring Brazilian 
standards and the balance originals, most written by Matta...”http://blogcritics.org/music/article/music-review-nilson-matta-amp-brazilian/
February 8th, 2010

“Pantanal” another Matta composition features his gravely bowing style and deeply sensitive dynamic. The basic elements of this composition have an almost American Pioneer feel to them. This solo piece evokes the Celtic soul of the ancient European music that entered the Portuguese music vocabulary when they were roving the seas building an empire.

Jazz Review by Chuck Vecolihttp://www.jazzreview.com/cd/review-20904.html
February 18th, 2010
“Bass players have the ideal qualities for a leader, and most times when they lead a group, they deliver a quality product. This fact holds true on Copacabana                  as Nilson Matta, one of the finest bass players in modern Brazilian Jazz, leads his group Brazilian Voyage through and enjoyable an stimulating set”.

The Jazz Latin Corner 
http://www.chipboaz.com/blog/2010/02/26/album-of-the-week-copacabana-nilson-mattas-brazilian-voyage/

March 3, 2010


“...All of Matta’s original compositions are incredible, from the somber of “Pantanal”, to “Baden”,...

March 5, 2010

 “Matta's "Brazilian Voyage" conjures the vistas and moods of a country that is idealized as a source of breezy airs and pulsing rhythms....”

By Alonzo Westonhttp://www.newspressnow.com/news/2010/mar/05/nilson-matta-brazillian-voyage-zoho/
March 11, 2010

“Brazilian music is given a shot of verve and vivacity by bassist Nilson Matta, as he succinctly captures the imperatives of the music through originals and standards...”

All About Jazz by Jerry D’Souzahttp://www.allaboutjazz.com/php/article.php?id=35803
March 18, 2010 

“Although the title of the album may give the impression that this is a carioca singing sensuously  of the myth and reality of Brazil it is much more than that. With five of the nine tracks on this album written by him, Matta guides the ear and the heart gently on a journey     of fluttering   classicism and the almost mystical dancing that characterizes any expedition through Brazilian countryside.”..

Latin Jazz Network by Raul da Gamahttp://www.latinjazznet.com/2010/03/18/reviews/cds/nilson-matta-copacabana/
March 29, 2010

“Nilson Matta’s Brazilian Voyage: Copacabana is a must-have recording. It will surely be the buzz for Latin Jazz awards.”

Roberta On The Arts



April 5, 2010

“How it is possible that Nilson Matta is allowed to fly so under the proverbial radar, with recognition mainly from his peers is one of those mysteries that music suffers its artists to bear even with the growth of the industry and media. Matta’s bass has been complementing the music of luminaries...”
http://theurbanflux.wordpress.com/2010/04/05/nilson-matta%E2%80%99s-brazilian-voyage-copacabana

Nilson Matta Brazilian Voyage “The Music of Black Orpheus”

Dizzy’s Club Coca-Cola Jazz at Lincoln Center


With Special Guest the great piano player Mr. Kenny Barron and flutist Anne Drummond

“Everyone wants to go to Brazil, and one of the easiest, most pleasant ways to do so is to accompany bassist Nilson Matta on his Brazilian Voyage.”

Howard Mandel

January 2010

Nilson Matta - Brazilian Voyage “The Music of Black Orpheus”

Dizzy’s Club Coca-Cola

NYC - November 2009

By Joe Lang

New Jersey Jazz Society




An energetic and scintillating program titled The Music of Black Orpheus was performed by

the Nilson Matta Brazilian Voyage Band for six nights in November at Dizzy Club Coca-Cola. 

This film that gave  this show its title, based on the play Orfeu da Conceição by Vinicius de

Moraes, is a retelling of the Orpheus and Eurydice legend set in Brazil, and was the movie

that brought what became known as  bossa nova music to the attention of many

non-Brazilians.

   

Bassist  Matta recruited an outstanding assemblage of musicians for this engagement. 

Fellow Brazilian guitarist/vocalist Filo Machado, drummer Paulo Braga and percussionist

Jorje Silva were joined on the bandstand by pianist Kenny Barron and flutist Anne

Drummond to bring this wonderfulmusic to life.


The music for the film was composed by Luiz Bonfa and Antonio Carlos Jobim, with lyrics

for the several of the songs set by the Moraes.  Jobim and de Moraes also provided some

music for the play on which the film  was based.  Music from both sources was used during

this delightful evening of Brazilians sounds.


To start the set, Matta on bass and SIlva on tambourine established the rhythm for “Lamento

no Morro,”  one of the selections from the play, with Barron’s adventurous pianism, and the

flute trills from Drummond filling out this engaging opener.  The song most associated with

the film, Bonfa’s “Manhã de Carnaval,”  brought to the stage Machado who added his unusual

and appealing alto voice to the atmospheric version of the tune that ensued.   This song enjoyed great popularity as

“Day in theLife of a Fool”  with English lyrics penned by Carl Sigman.  “A Felicidade” has

become one of Jobim’s most popular songs, and the joyous rendition by Matta’s band was

highlighted by some scat vocalizing by Machado. “Valsa de Euridice”, which words and

music de Moraes, was another of the selectios written for the stage version, once again

brought attention to Barron and the ethereal flute of Drummond.


Drummod’s flute was featured on “Frevo de Orpheus,” a lovely melody from the film.  “O

Nosso Amor,”  began with strong bass statement from Matta, and included a superb vocal by

Machado.  The final song from the play was “Se Todos Fossem Iguais a Voce,” a song that

became popular later on,  with the English lyric by Gene Lees, as “Someone to Light Up My

Life.”  Matta wrote “Macumba” to complement the existing music from the original sources,

inspired by the “moment in the script where Orpheu  has to go a Voodoo Center to try and

bring Euridice back to life.”  The evening closed wiht Bonfa’s “Samba de Orpheu.”


The packed house responded to each selection with enthusiasm, and by the end of the set

seemed totally mesmerized by what they had just experienced.  This proved to be a evening

of excitement performed to perfection by stellar group of musicians.